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We’ve updated our Terms of Use. You can review the changes here.

Blankets and Quilts

by Shaun W.

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    The name "Matilda" is currently popular in Scandinavian countries. "Mathilde" appeared among the top 10 most popular names for girls born in Denmark in 2008 and the name was also well-used in Norway, Sweden and Finland. It is also currently rising in popularity in other European countries, including the United Kingdom and France and in other English-speaking countries.
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1.
Wake Up (free) 05:44
2.
Remote Control (free) 03:53
3.
Nothing Compares 2 U (free) 05:28
4.
Mascara (free) 03:50
5.
Trouble (free) 02:45
6.
Cold Mouse Winter (free) 05:51
7.
Song For The Asking (free) 02:05
8.
Butterfly (free) 04:00
9.
Raining In Baltimore (free) 05:22
10.
Add It Up (free) 04:19
11.
Angel (free) 04:16
12.
Visions Of Johanna (free) 07:34

about

Cover Album.
"Blankets and Quilts" ... Get it?

Wanted to do an album of covers since I started doing solo music. A lot of my albums have a cover song on them. I've always enjoyed playing music I didn't write. It's a neat way to make it your own.

At the time of recording "Blankets and Quilts", I was going through a medical treatment and couldn't write lyrics at all. The side effects of the medicine made me pretty sick, so I was working less, but feeling empty and bored. I was all dried up, creatively speaking, and decided it was the best time to do other peoples songs.

The song choices were just songs that were hitting me at the time. By no means is this an encompassing example of music I love, but moreover what I loved while I was going through treatment.

credits

released July 20, 2009

On this album:

Shaun Wisniewski: played, arranged and sang all of the songs, but wrote none of them.

Ryan Ball: Helped with production, inspiration, recording, etc.

Fred Robinson: Low, lead vocals on "Add It Up"

Laura Shortt: Girl vocals on "Mascara"

license

all rights reserved

tags

about

Shaun W. Detroit

Shaun W. (fka Matilda) is meant to be more of a musical documentation of life events rather than a marketable musical cash cow.

It is the mostly solo, ever changing, ongoing musical project of Shaun Wisniewski.
Songs are mostly folk-y and noisy. They also have flourishes of electronic beats, sound collage, and synth. For the most part the songs are poorly produced, and that’s fine.
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